Black and British Book Cover Design | Identity, History and Belonging
A hand-drawn book cover for Black and British using cotton textures, the Union Jack and hand lettering to explore Black British history with care and respect
Black and British — Book Cover Design Concept
This book cover for Black and British was created to reflect the depth, resilience and complexity of Black British history, while avoiding simplification or confrontation for its own sake.
The black background grounds the cover in seriousness and gravity, acknowledging histories that are often marginalised or overlooked. Against this, the title appears in lighter tones, signalling visibility, dignity and celebration rather than division. The contrast is intentional: this book is not about erasure or blame, but about presence, contribution and belonging.
Cotton Texture: History and Resilience
A key element of the design is the cotton-like woven texture that runs through the cover. This references the historical realities of slavery and forced labour, particularly the role cotton played in global systems of exploitation. Rather than depicting trauma literally, the texture acts as a quiet but persistent reminder — history is woven into the fabric of Britain itself.
At the same time, the woven quality speaks to resilience, endurance and continuity, reflecting generations who have shaped British culture despite systemic barriers.
The Union Jack: Reclaiming Belonging
The Union Jack is used deliberately and carefully. Here, it is not a symbol of exclusion, but one of reclaimed identity. Incorporated into the design rather than dominating it, the flag represents the idea that Black British history is not separate from British history — it is integral to it.
The intention is to challenge narrow definitions of “Britishness” and instead present it as layered, diverse and shared.
Hand Lettering: Humanity and Voice
The title is hand lettered to retain a sense of humanity and individuality. This approach resists uniformity and mass-produced aesthetics, reinforcing the idea that history is lived, personal and told through many voices.
The imperfections in the lettering echo the book’s message: identity is not neat or singular — it is complex, evolving and human.
Conceptual Intent
This cover was designed to honour the book’s educational purpose while remaining visually accessible. It does not seek to shock or accuse, but to invite reflection, understanding and recognition.
Black and British is ultimately a celebration of history, identity and contribution — and this cover aims to reflect that with respect, strength and care.

